The first time I tried eyeshadow was with a sweep of pearlescent blue from a pot of Bourjois (no.17, I believe), which resulted in me being shamed by my year nine English teacher who suggested I wash it off at break time.
In my late teenage years, I tried out the smokey eye only to be likened by my father to a raccoon. Then at university, I adopted the nu-rave look with zeal, applying loose Barry M shadows in neon shades with matching glitter, which I set – to my lasting horror – with a liberal layer of Elnet.
Thankfully, those days are behind me and I’ve come to appreciate the brightening effect of a low-key shimmery wash across the lids – a particularly easy look to pull off at 6am when one cannot reasonably be expected to master winged eyeliner.
My shadow of choice for a long time was Benefit’s creaseless cream formulas – my favourite shade being R.S.V.P. – which can be applied with your finger even when you’re going over potholes on the bus. I’ve since moved on to long-wear crayons, which remove the need for hands-on application and get deeper into the eye socket.
Bobbi Brown’s twist-up stick in Golden Pink is the one I return to most often – a summery retro shade which stays well put in conjunction with Urban Decay’s Primer Potion. For everyday wear, I’m a huge covert to NYX’s jumbo eye crayon in Yoghurt, though it is mildly annoying that there is no twist-up function and what you see of the product is what you get.
A surprise bargain was Rosie for Autograph’s cream eyeshadow stick in Sparkle and Magic. Cringe-worthy name aside, it’s a dead ringer for Bobbi Brown’s Goldstone version, offering the same shade and density with the added bonus that it’s half the price. At the lower end of the price range is GOSH’s Forever eye shadow crayons, which do sound a little teenage, but go on smoothly and refuse to budge. I have it in Silver Rose and Light Cooper and can’t fault either.
The only real disappointment I’ve thus far come across is No.7’s Stay Perfect Shade and Define which failed to do any of those things. Even on primed lids, it went on patchy and refused to layer up, acting cheaper than its price tag would suggest. I had a similar issue with Charlotte Tilbury’s much-hyped eyeshadow pencil, the formula for which left my lids feeling oddly stiff.
Tell me about your favourite long-wear crayons in the comments below 👇